Digital Capture Opening Reception
October 26, 2024 | 3:00-6:00pm
Free and open to the public
California Museum of Photography & Culver Center of the Arts
Event Info
Join us to celebrate the opening of Digital Capture: Southern California and the Pixel-Based Image World.
Digital Capture is an ambitious exhibition spanning six decades (1962–2020s) that investigates the history and creative uses of digital imaging technology, from the genesis of digital imaging in Southern California research laboratories during the Cold War and space race of the 1960s, to the ubiquity of digital media in our contemporary world. The exhibition and accompanying publication narrate the ideological shifts that occurred as digital technologies were adopted for artistic ends. Conceptually organized into themes exploring issues of agency, representation, culpability, and connection, Digital Capture features more than 40 artists working across several technological, computing, and imaging media.
Participating artists: Rebecca Allen, Refik Anadol, Natalie Bookchin, micha cárdenas, Liliana Conlisk Gallegos, Nonny de la Peña, John Divola, Dynasty Handbag, EPOCH, Elisa Giardina Papa, Goldin+Senneby, Valerie Green, Lucia Grossberger Morales, Maggie Hazen, Lynn Hershman Leeson, Huntrezz Janos, Eugene F. Lally, Brandon Lattu, Ahree Lee, David Maisel, Frank Malina, Judy Malloy and Cathy Marshall, Lynne Marsh, Lauren Lee McCarthy, Mobile Image (Kit Galloway and Sherrie Rabinowitz), Lee Mullican, A. Michael Noll, Mendi + Keith Obadike, Charles O’Rear, Trevor Paglen, Nam June Paik, Sheila Pinkel, Sonya Rapoport, Marton Robinson, Dean Sameshima, Julia Scher, Ilene Segalove, Sonia Landy Sheridan, Barbara T. Smith, Christine Tamblyn, Penelope Umbrico, Stan VanDerBeek, Steina and Woody Vasulka, Gerardo Velazquez, Andrew Norman Wilson, Amir Zaki
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Credits
Digital Capture: Southern California and the Pixel-Based Image World is co-curated by Nikolay Maslov and April Baca. Exhibition concept by Douglas McCulloh.
Digital Capture: Southern California and the Pixel-Based Image World is among more than 70 exhibitions and programs presented as part of PST ART. Returning in September 2024 with its latest edition, PST ART: Art & Science Collide, this landmark regional event explores the intersections of art and science, both past and present. PST ART is presented by Getty. For more information about PST ART: Art & Science Collide, please visit pst.art.
This exhibition is made possible with leading support from Getty through the PST ART: Art & Science Collide initiative. Additional support is provided by the Carl & Marilynn Thoma Foundation, Keith Downs, and the Voy and Fay Wong Family (AAPI) Endowment. Programs at UCR ARTS are supported by the College of Humanities, Arts, and Social Sciences (CHASS) at UCR, and the City of Riverside.
Image: NASA, Hubble Ultra Deep Field, 2006. Hubble Space Telescope digital image composite. Courtesy of NASA, ESA, and S. Beckwith (STScI) and the HUDF Team
